Skip to main content
HomeAssociated Workshops

Associated Workshops

Register for the following workshops

Nag Hammadi

1st & 2nd July

 

 

Michael Burke

 

$440 (including materials)

 

Wellers Hill State School, Tarragindi

Register Now!

The Nag Hammadi Codex

Learn how to make a facsimile of the earliest known codex binding, famous for containing the controversial Gnostic Gospels.

The Nag Hammadi codices take their name from the Egyptian village where in 1945 a clay pot containing thirteen ancient books was discovered. They are the earliest extant codex bindings ever found, and were uncovered in remarkably good condition.

This workshop will lead you through the making of a codex bearing all the characteristic features of these early book structures. We will construct a sympathetic facsimile of the Nag Hammadi codex, and experience the structure and form of ancient bookbinding.

We will make our version of this 3rd century book from a text block of folded papyrus, bound together with knotted leather tackets on a leather spine piece and covered in boards stiffened by layers of papyrus.

The boards have leather edging strips, and the book is covered in hand-dyed North African goatskin.

It is held closed with beautiful leather ties and wrapping bands, which are integrated to the cover using a delicate slotting and lacing technique.

Step back in time and enjoy making your own model of the oldest book in the world.

Millimetre Binding

Scandinavian elegance! The millimeter binding was developed in Denmark during World War II when materials were scarce. It was invented by Henrik Park at the Royal Library in Copenhagen, but it wasn’t until Ole Olsen taught it in the 1980s, first in New York and then in Adelaide, that it became well known around the rest of the world. 

It takes its name from the minimal amount of leather used on the spine and corners. Soon after its invention, it became the last word in refinement for simplified fine bindings and small editions. With its combination of quality goatskin and beautiful pastepaper covers, it is often the first leather binding that students learn to make across northern Europe.

It is sewn on frayed-out cords with a gently rounded spine, has a small, sharp joint, a graphite edge and leather headbands. A simple paper and card hollow is trapped between the board and the waste-sheet for strength. Thinly-pared goatskin is then applied at the spine and corners, and decorative pastepaper sides are added. 

Dominic has written a full-length article about the history and making of the millimeter binding, which was published in the Society of Bookbinders’ journal in 2014.

3rd & 4th July

 

Dominic Riley

 

$395 (including materials)

 

BVAC, Tarragindi

Register Now!

Millimetre binding classic
Minimalist flat tightback

Minimalist Tight Back Binding with Concertina/Drum Leaf Text

Introduction to leather paring, parchment, leather jointed endpapers and edge to edge doublures.

Rationale

An intensive 2 day workshop that introduces the student to Parchment along with edge and body paring leather for a Minimalist Tight Back Binding. 

Aims

To introduce the student to leather paring and manipulation. 

To introduce the student to Parchment.

To identify or make text blocks for the binding style.

To identify materials specific to the binding style.

To understand the need for and limitations of the binding style.

To apply the relevant techniques.

Learning Outcome

On completion it is anticipated that the student will be able to: 

Select suitable text blocks for this structure.

Forward the book to the required standard.

Understand how to manipulate leather and parchment to achieve the desired results.

This workshop is intended for the beginner/improver or those wishing to learn something new. 

5th & 6th July

 

Mark Cockram

 

$420 (including materials)

 

BVAC, Tarragindi

Register Now!

 

F Pohlmann bindery

Two Demonstrations

A maximum group of 12 people can register to visit the bindery of Master Bookbinder Fred Pohlmann in beautiful Camp Mountain on Friday 7th of July.
Participants will enjoy two demonstrations of bookbinding skills from Master Bookbinders Fred Pohlmann and Roger Perry.

Fred will demonstrate the skills needed for leather strip onlays and Roger Perry will demonstrate gold finishing.

7th July

 

Fred Pohlmann

Roger Perry

 

Free

 

Camp Mountain

 

10th July

 

Glenn Malkin

 

$220 (including materials)

 

BVAC, Tarragindi

Register Now!

 

The Origata Binding

This one-day workshop is suitable for the beginner to bookbinding as well as those with some experience. 

We will be making the fabulous Origata binding - a relatively new book structure devised by Julie Auzillon in Paris, France.

It is ideal as a conservation binding as the book block itself can be removed easily without damage given there need be very little glue used. 

This structure also lends itself to a wide number of variations in terms of design elements and materials used and can be used for single section books or thicker multi-section books.

At this workshop we shall be making my version of this binding which incorporates decorative paper pastedowns and a vellum spine created from old re-cycled legal documents.

Participants will need to bring along their usual bookbinding tool kit including the following tools: sharp craft knife/scalpel, cutting mat, steel ruler, needle, piercing awl, tweezers, small glue brush and small amount of PVA, small piece of scrap greyboard. 

Origata binding

Finishing Pre-Industrial Gold Tooling

Learn the elusive practice of using gold leaf and egg glair to title and decorate leather book covers.

For centuries, and before alternative glairs and hot stamping machines with large engraved dies, egg glair, gold leaf, and an assortment of individual hand tools were the principal means by which book covers were designed and decorated.

In this workshop, students will have the opportunity to learn and explore the tools and processes involved in this technique. From handling gold leaf to getting a clean impression, we’ll learn from each other’s setbacks and successes and go for gold!

The course materials fee includes the cost of a book of gold leaf sheets for you to use and the leather for you to practise your new skills.

11th & 12th July

 

Brien Beidler

 

$440 (including materials)

 

BVAC, Tarragindi

Register Now!

 

cloud.JPG
assortment.JPG